Yesterday, I introduced this week’s series of posts about planning for novel-writing. Step back there for one method, or read on for another method of planning your forthcoming masterwork. I refer to these masterworks as novels, but these methods would work with a bit of tweaking for other writing formats too.
Today, let’s look at plotting the Christopher Booker way.
Those who have been following my Booker’s Seven project will know the basics here. Christopher Booker says there are only seven basic plots in the world, and all stories fall into one or other. You might not agree, but if you do, you can probably identify which of those seven yours falls into. They are:
Overcoming the Monster
Rags to Riches
Voyage and Return
How, you have to be a bit slick, because Comedy doesn’t necessarily mean funny; it ties in more with the Shakespearean definition, and has a lot to do with large casts of characters, and situations caused by miscommunications between them. Think Much Ado About Nothing or Twelfth Night. Similarly, Overcoming the Monster might not involve a physical monster, but more something internal or an external (but non monster-y) challenge like an asteroid heading for earth.
Anyway, once you’ve picked out which Booker Plot you are intending to write, you can use it to plan your novel. Ideally (certainly in Mr Booker’s mind) you’d go out and buy his book, for a full breakdown of what that plot entails. Alternatively, you can go online and google search some summaries of his ideas. Like this one at tvtropes.org.
The plot is neatly broken down for you into stages, and your task is simply to take each stage and write a couple of paragraphs detailing how that stage will look in your story. Take time to think not only what will happen, but why, how the characters will react and – particularly if you have a target word count for the whole piece – who long that stage will be. Remember, as we saw yesterday, not all stages should be the same length.