I know that some followers of this blog enjoy reading the story behind the stories I write, so here’s a bit of “process” for last week’s shorts. Spoiler Warning – if you haven’t read the stories, click on the titles and read them first!
When I saw this prompt, what sprung to mind was the joke which forms the final line of the story. It became the first line, and I imagined initially that it was said by an actor on stage. I envisaged a teenage girl, watching the play and not enjoying it. She was cynical and angry (aren’t a lot of teenagers?!) at the people laughing around her. I wondered why she was there, pondered her being on a bad date, or even being an escort. I added a leery older man beside her, his arm creeping around her shoulders… But the story didn’t go anywhere. It was too long to squash into 100 words and the short version just felt like a prurient snippet rather than a story.
I backed off, but kept the first line. It seemed like a corny joke, but what to do with it? I’ve done stories of Dad Jokes before, so I didn’t want to repeat that. When I hear bad jokes, I often feel like laughing even though they are terrible. And hence Miranda’s reaction was born. The bad date idea returned and I wrote the rest of the story right to the last line. But I wanted her to make a joke back to him, and the pedals line didn’t seem strong enough to end on. Jokes aren’t my forte and I couldn’t come up with anything better, so in the end I swapped the two jokes around, and I think it makes the story work better.
The unhappy escort from the theatre was still in my head when I came to write my InMon story the next day. I liked the idea of someone going into a shop out of curiosity (rather than a shop full of curiosities) and the first few paragraphs came easily after that.
I wanted the girl’s name to tell us a lot about her, especially combined with her Mum’s outlook and behaviour. I hope I’ve made it clear enough that she’s from a rich family, but trying to make her own way in the world.
Having written most of the scene, though (up to the Dad with the credit card), I knew that Minty wasn’t a hooker, high- class or otherwise. But she was doing a job her Mum wouldn’t approve of, and working on the streets, so I wondered what else she could be doing? It came in a flash of inspiration (If the muse is on holiday, at least she’s sending postcards) and then all that was left was to craft the reveal.
2 responses to “The Story Behind The Stories”
I like this, it’s good knowing the process of a story (or two) 😉
It’s like the commentary on a DVD/BluRay (and I just realized that sentence might become an anachronism before too long, along with “I bought the 45, but I don’t know if I’m going to get the whole LP”)
Thanks for sharing this, darling!